All Critics (56) | Top Critics (15) | Fresh (52) | Rotten (3)
The Brothers Grimm would have been surprised, possibly amused.
A sensual and sophisticated retelling of a beloved fairytale re-imagined as a homage to European silent cinema, Spanish writer-director Pablo Berger's black-and-white Blancanieves will leave you transfixed.
Most films are experiences to be ignored or at best forgotten. "Blancanieves" is a little classic to be treasured.
It is a full-bodied silent film of the sort that might have been made by the greatest directors of the 1920s, if such details as the kinky sadomasochism of this film's evil stepmother could have been slipped past the censors.
Blancanieves, which won 10 Goyas (Spain's equivalent of the Oscars) and was a smash hit in its native Spain, has traces of a kinky undertone and an uncommon willingness to embrace the darkness inherent in this fairy tale.
As if bewitched, the legend of Snow White is transferred to Seville in the early twentieth century and transformed into high melodrama.
Berger's stunning, if slightly overlong, film captures just how effective silent-era storytelling can still be.
Blancanieves is painstakingly crafted, emotionally gripping at times, and more authentically Grimm than most interpretations, and it puts a slightly unsettling new spin on Prince Charming and the proverbial happily-ever-after ending.
The film is -- to understate the matter -- overconceptualized.
Like The Artist, Blancanieves is delightfully novel, but it also feels trapped by its innovative gimmickry.
A boldly conceived fairy tale from Spain
Succeeds in all its cinematic experiments
The story might be familiar, but Berger's film is so beautifully shot and so wonderfully scored - and so distinctively Spanish - that it stands as its own film.
Blancanieves holds to the structure, but not strictures, of the source fairy tale.
A new, purely silent movie from Spain that never once speaks and doesn't need to speak. What's more, it seems to get the infinite possibilities of silence, and how much passion can come from it.
Berger's film doesn't show loyalty to any traditional version of Snow White. Berger's Blancanieves takes a darker approach, which seems appropriate.
A completely enchanting fairy tale about the vicissitudes of fate, in live action and glorious black and white.
The fun in the Spanish "Blancanieves" is the way it plays with our expectations.
May not have much depth to its characters or particular surprise, but its lovely depiction of family's ability to harm and mend has the flair of flamenco and the sorrow of opera.
No, "Blancanieves" isn't subtle, but it's an unforgettable time at the movies.
Inspired filmmaking steeped in the imagery of silent film history, a dark Iberian strain of Roman Catholicism and the magic of fairy tales.
... lusty and heartfelt, fiery flamenco and spirited country jig. Don't go expecting a Disney-fied fable. Berger seasons with S&M and the kind of macabre touches you'd expect in vintage Browning or Bunuel.
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Source: http://www.rottentomatoes.com/m/blancanieves/
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